Bramble Lee Pryde (she/they) is an interdisciplinary artist whose practice exists at the intersection of installation, sculpture, ceramics, textiles, and adornment (under the moniker Subject Object). Their work teeters at the precipice of fine art and high craft, leveraging dry, sardonic wit to make space for the things we are usually expected to quietly tolerate. Their work unfolds in immersive iterations, offering multiple entry points into societal unease, dissonance, and lived experience.

Pryde’s practice shifted toward long-form, iterative bodies of work following a 2023 residency at the Berlin Art Institute. Their work is shaped by grief and loss, translated into tangible forms and environments that can be held, entered, and confronted. Their ongoing body of work, The Existential Dreadlings, personifies contemporary anxieties through strange companions that serve as witnesses, extending across sculpture and participatory formats, including an art deck, zines, and collectible ephemera.

Selected projects include the solo exhibition I’m Fine, It’s Fine Art (The Underground Gallery, 2024) and public commissions, including Parasocial Paradox (Contemporary Calgary, 2024) and EPHEMERA for Chinook Blast (2023).

Pryde’s curatorial practice is not a vibe—it spans exhibitions and group shows, sustained artist support, and the founding and direction of artist-led spaces and public-facing programming, including White Rabbit Atelier (2019 – 2024).